"Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35" by Samuel Scheidt, Arno Schneider, Athesinus Consort Berlin, Klaus-Martin Bresgott was released on February 26, 2018. The duration of Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Scheidt: Cantiones Sacrae". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantiones sacre: No. 36, Lobet, ihr Himmel, den Herren auf Erden, SSWV 35 by Samuel Scheidt, Arno Schneider, Athesinus Consort Berlin, Klaus-Martin Bresgott having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
All'imperio d'Amore: 1. Toccata "La Renuccini" | Girolamo Fantini, Ensemble Pygmalion, Raphael Pichon | D Major | 4 | 10B | 137 BPM | ||
Echo fantasia in Dorian mode, SwWV 261 | Jan Pieterszoon Sweelinck, Joseph Kelemen | A♭ Minor | 0 | 1A | 71 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Wir danken dir, Gott, wir danken dir, BWV 29: Chorale. Wir danken dir, Gott (Chorus) | Johann Sebastian Bach, Hana Blaziková, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 60 BPM | ||
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM |
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