Henry Purcell, Sjaella's 'Thus the Ever Grateful Spring (Spring)' came out on October 8, 2021. The duration of Thus the Ever Grateful Spring (Spring) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Thus the Ever Grateful Spring (Spring)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Origins". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Belgium. Thus the Ever Grateful Spring (Spring) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thus the Ever Grateful Spring (Spring) by Henry Purcell, Sjaella having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluja | Sjaella | D Major | 0 | 10B | 66 BPM | ||
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Miserere: III. Tibi soli peccavi ; Ecce enim in iniquitatibus conceptus sum - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 63 BPM | ||
Miserere: V. Auditui meo dabis gaudium et laetitiam ; Averte faciem tuam - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 172 BPM | ||
Nisi dominus I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Missa Pro Defunctis: Kyrie 1 | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | B Minor | 1 | 10A | 129 BPM | ||
The Indian Queen, Z. 630 : Act III - Third Act Tune (Rondeau) | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | A♭ Major | 0 | 4B | 114 BPM |
Section: 0.6788215637207031
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