Gioachino Rossini, Giuliana Tavolaccini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso's 'L'italiana in Algeri / Act 2: Ti presento di mia man' came out on January 1, 1964. L'italiana in Algeri / Act 2: Ti presento di mia man appears to be safe for all ages as it is not explicit. There are a total of 34 in the song's album "Rossini: L'Italiana in Algeri". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. L'italiana in Algeri / Act 2: Ti presento di mia man is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'italiana in Algeri / Act 2: Ti presento di mia man by Gioachino Rossini, Giuliana Tavolaccini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | E Major | 5 | 12B | 85 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM |
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