"Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1" by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin was released on 1995. Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 appears to be safe for all ages as it is not explicit. The song is number 1 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 108 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" | Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM |
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