"Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!"" by Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" by Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E-Flat Major "Symphony of a Thousand" / Pt. 2: "Höchste Herrscherin der Welt" - Live | Gustav Mahler, Kenneth Riegel, Rudolf Scholz, Wiener Philharmoniker, Leonard Bernstein, Vienna State Opera Chorus, Wiener Singverein | E♭ Major | 2 | 5B | 81 BPM | ||
Otello / Act 4: "Mia madre aveva una povera ancella" | Giuseppe Verdi, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 2 | 12B | 87 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Blitzend Gewölk, vom Wind getragen, stürme dahin" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 1: Allegro maestoso (Totenfeier): Sehr mäßig und zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind" (A young sailor, Isolde, Brangäne, Kurwenal, Tristan, Chorus) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Uwe Heilmann, Waltraud Meier | G Major | 3 | 9B | 92 BPM | ||
Strauss, J. II: Der Zigeunerbaron, Act 3: "Reich ihm die Hand, vertraue dem Zigeuner" - "Ja, das Alles auf Ehr" (Saffi, Barinkay, Homonay, Arsena, Czipra, Mirabella, Ottokar, Zsupán, Carnero, Chor) | Johann Strauss II, Franz Allers, Biserka Cvejic, Chor der Bayerischen Staatsoper München, Gisela Litz, Grace Bumbry, Hermann Prey, Kurt Böhme, Nicolai Gedda, Rita Streich, Willi Brokmeier, Wolfgang Anheisser, Bavarian State Orchestra | C Major | 4 | 8B | 78 BPM | ||
Verdi: Aida, Act 1: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E Minor | 2 | 9A | 68 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM |
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