"Tannhauser: O du mein holder Abendstern" by Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian was released on January 1, 2007. With this song being about 5 minutes long, at 4:45, "Tannhauser: O du mein holder Abendstern" by Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Opera Arias (Baritone): Hvorostovsky, Dmitri - Borodin, A.P. / Mussorgsky, M.P. / Rubinstein, A. / Wagner, R. / Giordano, U. / Verdi, G.". In this album, this song's track order is #7. Tannhauser: O du mein holder Abendstern is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tannhauser: O du mein holder Abendstern by Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
War and Peace, Op. 91: Voyna i mir (War and Peace), Op. 91: Scene 1: Svetlaje vesenneje nebo | Sergei Prokofiev, Dmitri Hvorostovsky, Asmik Grigorian, Irina Shishkova, State Academic Symphony Orchestra "Evgeny Svetlanov", Constantine Orbelian | D♭ Major | 2 | 3B | 169 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Funeste ca lucive (arr. for baritone and orchestra) | Traditional, A. Gritsevitch, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | E Minor | 1 | 9A | 61 BPM | ||
12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | ||
Chanson d'Amour, Opus 27, No. 1 | Gabriel Fauré, Barbara Bonney, Warren Jones | F♯ Major | 1 | 2B | 81 BPM |
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