"Chanson d'Amour, Opus 27, No. 1" by Gabriel Fauré, Barbara Bonney, Warren Jones was released on 1997. The duration of Chanson d'Amour, Opus 27, No. 1 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Chanson d'Amour, Opus 27, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Fauré: Requiem by Gabriel Fauré, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Chanson d'Amour, Opus 27, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson d'Amour, Opus 27, No. 1 by Gabriel Fauré, Barbara Bonney, Warren Jones is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Sea Pictures, Op. 37: I. Sea Slumber-Song, "Sea-birds are asleep" (Andantino) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 78 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Der Vetter aus Dingsada: Strahlender Mond | Eduard Künneke, Barbara Bonney, Ronald Schneider | G Major | 1 | 9B | 129 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Requiem, Op.48: 5. Agnus Dei (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 2 | 6B | 88 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Beau Soir | Claude Debussy, Renée Fleming, Jean-Yves Thibaudet | F♯ Minor | 0 | 11A | 67 BPM |
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