Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger's 'Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato' came out on May 1, 2012. With Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Koechlin, Heinz Holliger's "Magicien orchestrateur" album is number 5 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in F sharp Minor, op. 209 no. 9 | Charles Koechlin, Marina Pierova | D Minor | 2 | 7A | 66 BPM | ||
Africa: Land of Romance | William Grant Still, Fort Smith Symphony, John Jeter | G Minor | 0 | 6A | 117 BPM | ||
Prelude in A Minor, op. 209 no. 1 | Charles Koechlin, Marina Pierova | C Major | 1 | 8B | 72 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Ein feste Burg ist unser Gott, Cantata BWV 80: II. "Alles was von Gott geboren" | Johann Sebastian Bach, Sarah Wegener, Peter Harvey, Barockorchester Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 37 BPM | ||
Oboe Sonata, Op. 58: III. Andante: Le soir dans la Campagne, Tres calme, presque adagio | Charles Koechlin, Stefan Schilli, Oliver Triendl | F♯ Minor | 2 | 11A | 151 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM |
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