"Die Zauberflöte K620, ACT 1: Es lebe Sarastro" by Gundula Janowitz was released on March 3, 2003. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 33 in Die Zauberfloete by Otto Klemperer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Die Zauberflöte K620, ACT 1: Es lebe Sarastro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Zauberflöte K620, ACT 1: Es lebe Sarastro by Gundula Janowitz is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Die Jahreszeiten - Hob. XXI:3 / Der Winter: No. 39 Terzett und Doppelchor: "Dann bricht der grosse Morgen an" | Joseph Haydn, Gundula Janowitz, Peter Schreier, Martti Talvela, Wiener Symphoniker, Karl Böhm, Wiener Singverein, Helmut Froschauer | C Major | 3 | 8B | 95 BPM | ||
Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | ||
Giulio Cesare / Act 1: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Die Jahreszeiten - Hob. XXI:3 / Der Frühling: No. 7 Rez.: "Erhört ist unser Flehn" | Joseph Haydn, Gundula Janowitz, Wiener Symphoniker, Karl Böhm, Kurt Rapf | C Major | 3 | 8B | 95 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: "Lyubvi vsye vozrasti pokorni" | Pyotr Ilyich Tchaikovsky, Paata Burchuladze, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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