George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's 'Giulio Cesare / Act 1: Va tacito e nascosto' came out on January 1, 1997. Giulio Cesare / Act 1: Va tacito e nascosto is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras's "Handel: Arias" album is number 13 out of 20. Based on our statistics, Giulio Cesare / Act 1: Va tacito e nascosto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Giulio Cesare / Act 1: Va tacito e nascosto by George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina, HWV 34 / Act 1: Tornami a vagheggiar | George Frideric Handel, Karina Gauvin, Il Complesso Barocco, Alan Curtis | C Minor | 1 | 5A | 61 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 86 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Poulenc: Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Richard Hickox, Westminster Singers, City of London Sinfonia | A♭ Major | 0 | 4B | 92 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Ciganské melodie (Gypsy Melodies), Op. 55: 4. Songs my mother taught me (Kdyz mne stara matka) | Antonín Dvořák, Magdalena Kozená, Malcolm Martineau | G Minor | 4 | 6A | 160 BPM | ||
Stabat Mater, Op. 58, B.71: 3. Coro "Eia mater, fons amoris" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | F♯ Major | 0 | 2B | 69 BPM |
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