"2 Mazurkas, Op. 19: No. 1. Obertass" by Henryk Wieniawski, James Ehnes, Eduard Laurel was released on January 1, 2000. The duration of 2 Mazurkas, Op. 19: No. 1. Obertass is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 2 Mazurkas, Op. 19: No. 1. Obertass's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #3 out of 12 tracks. 2 Mazurkas, Op. 19: No. 1. Obertass is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 2 Mazurkas, Op. 19: No. 1. Obertass by Henryk Wieniawski, James Ehnes, Eduard Laurel has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 2 Mazurkas, Op. 19: No. 1. Obertass being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 9 in A Major, Op. 47, "Kreutzer": III. Finale: Presto | Ludwig van Beethoven, Takako Nishizaki, Jenő Jandó | C Major | 1 | 8B | 101 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Ballade No. 2 in F Major, Op. 38 | Frédéric Chopin, Krystian Zimerman | F Major | 1 | 7B | 64 BPM | ||
Études-Caprices, Op. 10: Andante | Henryk Wieniawski, Justyna Jara, Wojciech Koprowski | D Major | 1 | 10B | 122 BPM |
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