Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra's 'Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato' came out on September 29, 1995. With Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra's "Liszt: Piano Concertos Nos 1, 2 & Totentanz" album is number 9 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato by Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Concerto for 2 Pianos and Orchestra in E Major, MWV O 5: 3. Allegro | Felix Mendelssohn, Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov | E Major | 2 | 12B | 139 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Saint-Saens - Danse macabre, S555/R240 (arr. V. Horowitz for piano): Danse macabre | Vladimir Horowitz, Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 | Frédéric Chopin, Cyprien Katsaris | A Minor | 0 | 8A | 70 BPM | ||
Four Excursions, Op. 20: No. 3. Allegretto | Samuel Barber, André Previn | G Major | 5 | 9B | 91 BPM |
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