"Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém" by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda was released on May 8, 2020. With this song being about 5 minutes long, at 5:03, "Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém" by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 25 in Dvořák: Essentiel by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém by Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich Bin Der Welt... (Ruckert - Lider N°5) | José van Dam | E♭ Major | 1 | 5B | 68 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Swan Lake Suite, Op. 20a: II. Waltz | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 103 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 4: "Deh vieni, non tardar" (Susanna) | Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Wiener Philharmoniker | F Major | 0 | 7B | 106 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |
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