"Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde)" by Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge was released on 2005. Since Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Antonio Pappano. The song's track number on the album is #12 out of 33 tracks. The popularity of Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) by Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 85 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Das Rheingold: Scene I: Hehe! Ihr Nicker! (Alberich, Rhinemaidens) | Richard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar Zagrosek | F Major | 2 | 7B | 71 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM |
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