"Tosca / Act 2: "Tosca è un buon falco!"" by Giacomo Puccini, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1963. The duration of Tosca / Act 2: "Tosca è un buon falco!" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Tosca / Act 2: "Tosca è un buon falco!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Puccini: Tosca". In this album, this song's track order is #1. In terms of popularity, Tosca / Act 2: "Tosca è un buon falco!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act 2: "Tosca è un buon falco!" by Giacomo Puccini, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM | ||
Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano | B Minor | 3 | 10A | 81 BPM | ||
Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) | Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, José van Dam, Agnes Baltsa | E Major | 1 | 12B | 124 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM | ||
La Boheme - Gesamtaufnahme in deutscher Sprache, 1. Bild: Ja, Man nennt mich nur Mimi | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 0 | 10B | 79 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM |
Section: 0.768704891204834
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