Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado's 'Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo"' came out on January 1, 1998. Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Claudio Abbado's "Mozart: Don Giovanni" album is number 9 out of 60. In terms of popularity, Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" by Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
Don Carlos / Act 2: "Au palais des fées" | Giuseppe Verdi, Lucia Valentini Terrani, Ann Murray, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 105 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son | Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 1 | 5B | 100 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
La traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 74 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Rosamunde, Op. 26, D.797: Entr'acte No. 3 (Andantino) | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 0 | 6B | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 2: “Son confusa, son stordita” | Wolfgang Amadeus Mozart, Christiane Karg, Sonya Yoncheva, Luca Pisaroni, Anne Sofie von Otter, Rolando Villazón, Maurizio Muraro, Thomas Hampson, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 141 BPM |
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