"Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien!" by Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart was released on January 1, 2000. With Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Donato Di Stefano's "Mozart: Le Nozze Di Figaro, ‘the Marriage Of Figaro’ (Highlights)" album is number 15 out of 23. Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! by Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244: No. 6 Arie (Alt): Buss' und Reu' | Johann Sebastian Bach, Istvan Gati, Peter Koves, Agnes Mester, Jozsef Mukk, Judit Nemeth, Janos Remenyi, Ibolya Verebics, Hungarian Festival Chorus, Hungarian Radio Children's Choir, Hungarian State Symphony Orchestra, Géza Oberfrank | C Major | 1 | 8B | 141 BPM | ||
Così fan tutte, K. 588 / Act II: "Sorella, cosa dici?" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 114 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Schame dich, o Seele, nicht (Alto) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM | ||
Missa Sancta Theresiae: Benedictus | Michael Haydn, Mária Zádori, Lucia Medgyesi-Schwartz, Jozsef Mukk, László Jekl, Jeunesses Musicales Chorus, Erdõdy Chamber Orchestra, Domonkos Heja | D Major | 2 | 10B | 93 BPM | ||
Don Giovanni, K. 527: Riposate, vezzose ragazze | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Malcolm King, Teresa Berganza, Lorin Maazel | E♭ Major | 4 | 5B | 141 BPM | ||
Don Giovanni, K. 527: Da qual tremore insolito | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Chorus & Orchestra of the Théâtre National de l'Opera, Paris, Lorin Maazel | C Major | 0 | 8B | 166 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Recitativo - Bravo, Signor Padrone! | Donato Di Stefano, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Natale de Carolis, Roberto Frontali, Jozsef Mukk, Patrizia Pace, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 112 BPM | ||
Die Zauberflöte / Act 1: "Herr, ich bin zwar Verbrecherin" | Wolfgang Amadeus Mozart, Ruth Ziesak, Kurt Moll, Heinz Zednik, Uwe Heilmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 93 BPM | ||
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Caroline Maria Petrig, Christel Borchers, Matthias Hölle, Peter Straka, Sergiu Celibidache, Munich Philharmonic Orchestra | G Major | 0 | 9B | 156 BPM | ||
Die Zauberflöte, K.620, Act I: Herr! Ich bin zwar Verbrecherin! (Pamina, Sarastro) | Wolfgang Amadeus Mozart, Roland Bracht/Lucia Popp/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A♭ Major | 2 | 4B | 100 BPM |
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