- BPM
- 81
- Key
- B Minor
- Camelot
- 10A
Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) - Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano Information
- Acousticness
- 98%
- Danceability
- 19%
- Energy
- 27%
- Instrumentalness
- 1%
- Liveness
- 8%
- Loudness
- 86%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -8.617 dB
Summary
"Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With this song being about 5 minutes long, at 5:25, "Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #36. Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) BPM
With Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton) Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Verdi: Macbeth, Act 1: "Nel dì della vittoria" - "Vieni t'affretta" (Lady Macbeth, Chorus) | Giuseppe Verdi, Maria Callas, The Philharmonia Chorus, Nicola Rescigno, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 89 BPM | |
 | Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | |
| Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | |
 | Ponchielli: La Gioconda, Act 4: "Suicidio!" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 87 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 150 BPM | |
 | Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | |
 | Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Wie du warst! Wie du bist!" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | B Major | 1 | 1B | 88 BPM | |
| Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | |
 | Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8642539978027344
End: 0.8695735931396484