Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan made "Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra"" available on January 1, 1986. With Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Don Giovanni" album is number 16 out of 66. Based on our statistics, Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" by Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
La Bohème / Act 2: "Chi l'ha richiesto" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Luciano Pavarotti, Rolando Panerai, Elizabeth Harwood, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 119 BPM | ||
Die Zauberflöte / Act 1: "Hm! hm! hm! hm!" | Wolfgang Amadeus Mozart, Michael Kraus, Uwe Heilmann, Adrianne Pieczonka, Annette Kuettenbaum, Jard van Nes, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 1 | 6B | 99 BPM | ||
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
Il Barbiere di Siviglia: A un dottor della mia sorte - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 3: Aria - La Vendetta | Donato Di Stefano, Hungarian State Opera Orchestra, Natale de Carolis, Ingrid Kertesi, Jozsef Mukk, Roberto Frontali, Patrizia Pace, Maria Pia Ionata, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 142 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
Le nozze di Figaro, K.492 / Act 3: N. 23. Finale “Ecco la marcia… andiamo” | Wolfgang Amadeus Mozart, Luca Pisaroni, Christiane Karg, Thomas Hampson, Sonya Yoncheva, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 129 BPM |
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