"Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)" by Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, José van Dam, Agnes Baltsa had its release date on August 2, 2013. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 17 out of 214. Based on our statistics, Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) by Wiener Philharmoniker, Riccardo Muti, Margaret Marshall, José van Dam, Agnes Baltsa to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 1: "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | D Major | 2 | 10B | 129 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
Verdi: Aida, Act 1: "Celeste Aida" (Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda) | Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras | D Minor | 1 | 7A | 75 BPM | ||
La Traviata - Extraits: Prélude | Ambrosian Opera Chorus, Alfredo Kraus, Riccardo Muti, Renata Scotto, Philharmonia Orchestra | B Major | 3 | 1B | 117 BPM | ||
Madama Butterfly / Act 1: Viene la sera | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 171 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Turandot / Act 1: Non piangere Liù | Giacomo Puccini, Luciano Pavarotti, Montserrat Caballé, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 4 | 2A | 111 BPM | ||
Mefistofele: Act II - Ridda e fuga infernale - Ah! Su! Riddiamo... | Arrigo Boito, Riccardo Muti | A Minor | 4 | 8A | 68 BPM |