"Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda)" by Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras was released on December 20, 2010. The duration of Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda) is about 3 minutes long, at 3:10. Based on our data, "Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Puccini Airs d'opéras". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta?" (Magda) by Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": V. Finale. In Tempo des Scherzos | Gustav Mahler, Bradley Cooper, Rosa Feola, Isabel Leonard, London Symphony Chorus, London Symphony Orchestra, Yannick Nézet-Séguin | E♭ Major | 4 | 5B | 136 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | ||
Rigoletto / Act 2: "Ella mi fu rapita...Parmi veder le lagrime" | Giuseppe Verdi, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 89 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Anna Netrebko, Stéphane Degout, Vitalij Kowaljow, Boaz Daniel, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Major | 1 | 8B | 126 BPM | ||
Catalani: La Wally, Act 1: "Ebben? ... Ne andrò lontana" (La Wally) | Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France | E Major | 2 | 12B | 86 BPM | ||
La Mamma Morta | Umberto Giordano, Montserrat Caballé, Anton Guadagno | D Major | 1 | 10B | 76 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Teresa Berganza, London Symphony Orchestra, Sir John Pritchard | B♭ Major | 1 | 6B | 121 BPM |
Section: 0.6270265579223633
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