Giacomo Puccini, Anna Netrebko, Stéphane Degout, Vitalij Kowaljow, Boaz Daniel, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy made "La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!"" available on January 1, 2008. La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Puccini: La Bohème (Highlights)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" by Giacomo Puccini, Anna Netrebko, Stéphane Degout, Vitalij Kowaljow, Boaz Daniel, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Roméo et Juliette, Act I: Ah! Je veux vivre | Charles Gounod, Pretty Yende, Giacomo Sagripanti | G Major | 3 | 9B | 78 BPM | ||
Ich Bin Der Welt... (Ruckert - Lider N°5) | José van Dam | E♭ Major | 1 | 5B | 68 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM |
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