"La Traviata - Extraits: Prélude" by Ambrosian Opera Chorus, Alfredo Kraus, Riccardo Muti, Renata Scotto, Philharmonia Orchestra was released on March 13, 2006. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "The Platinum Collection". In this album, this song's track order is #3. In terms of popularity, La Traviata - Extraits: Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Traviata - Extraits: Prélude by Ambrosian Opera Chorus, Alfredo Kraus, Riccardo Muti, Renata Scotto, Philharmonia Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 4: "They Shall Be As Happy" | Henry Purcell, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten | G Major | 3 | 9B | 93 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Otello / Act 1: "Ah! sì, per voi già sento" | Gioachino Rossini, José Carreras, Gian-Franco Pastine, Ambrosian Opera Chorus, Philharmonia Orchestra, Jesús López-Cobos | E♭ Major | 4 | 5B | 88 BPM | ||
Semiramide / Act 1: Suoni festevoli | Gioachino Rossini, John Serge, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 134 BPM | ||
Les Huguenots / Act 2: Non, non, non, vous n'avais jamais | Giacomo Meyerbeer, Huguette Tourangeau, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 96 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM |
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