Agnes Baltsa's 'Carmen (Act I, Sequedille)' came out on November 15, 2006. The duration of Carmen (Act I, Sequedille) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Carmen (Act I, Sequedille)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in José Carreras's "Jose Carreras & Friends" album is number 2 out of 24. In terms of popularity, Carmen (Act I, Sequedille) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carmen (Act I, Sequedille) by Agnes Baltsa to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Thomas Allen, Agnes Baltsa, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 86 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Strauss Jr., Johann: Die Fledermaus, Act 2: "Genug dalit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chorus) | Johann Strauss II, Plácido Domingo, Munich Radio Orchestra | G Major | 3 | 9B | 114 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 141 BPM | ||
Roméo et Juliette, Act I: Ah! Je veux vivre | Charles Gounod, Pretty Yende, Giacomo Sagripanti | G Major | 3 | 9B | 78 BPM | ||
Die Maurerfreude, K.471 | Wolfgang Amadeus Mozart, Werner Krenn, Edinburgh Festival Chorus, London Symphony Orchestra, István Kertész | A♭ Major | 3 | 4B | 83 BPM | ||
La Cenerentola (Cinderella), Act II: Nacqui all'affano … Non più mesta | Gioachino Rossini, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | B Major | 2 | 1B | 168 BPM |
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