"Strauss Jr., Johann: Die Fledermaus, Act 2: "Genug dalit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chorus)" by Johann Strauss II, Plácido Domingo, Munich Radio Orchestra was released on 1986. With this song being about 5 minutes long, at 4:53, "Strauss Jr., Johann: Die Fledermaus, Act 2: "Genug dalit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chorus)" by Johann Strauss II, Plácido Domingo, Munich Radio Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss II, Plácido Domingo, Munich Radio Orchestra's "J. Strauss II: Die Fledermaus Highlights" album is number 12 out of 15. In terms of popularity, Strauss Jr., Johann: Die Fledermaus, Act 2: "Genug dalit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chorus) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Strauss Jr., Johann: Die Fledermaus, Act 2: "Genug dalit, genug" (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chorus) by Johann Strauss II, Plácido Domingo, Munich Radio Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Voices of Spring, Op.410 (Frühlingsstimmen) | Johann Strauss II, Wiener Symphoniker, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 100 BPM | ||
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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