Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti's 'Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits' came out on 1982. The duration of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 16 out of 35. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pride and Prejudice Suite: I. Meet the Family | Carl Davis, Philharmonia Orchestra | E♭ Major | 2 | 5B | 123 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
The Firebird Suite, K010, (1945 Version): IX. The Princesses’ Khorovod | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B Major | 0 | 1B | 78 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 64 BPM |
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