"Serse: Aria "Ombra mai fù" (Atto I, scena 1)" by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl was released on 1999. The duration of Serse: Aria "Ombra mai fù" (Atto I, scena 1) is about 3 minutes long, at 3:03. Based on our data, "Serse: Aria "Ombra mai fù" (Atto I, scena 1)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's "Handel: Ombra mai fù" album is number 7 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Serse: Aria "Ombra mai fù" (Atto I, scena 1) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria "Ombra mai fù" (Atto I, scena 1) by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl | B♭ Minor | 0 | 3A | 92 BPM | ||
Sure on this shining night, Op. 13, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 80 BPM | ||
Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | ||
Vivaldi: Andromeda Liberata, Anh. 117: "Sovente il sole" (Perseo) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | F♯ Major | 1 | 2B | 121 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM |
Section: 0.7254500389099121
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