Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin made "The Horatians and the Curiatians: No. 1, The Deployment" available on August 8, 2013. With The Horatians and the Curiatians: No. 1, The Deployment being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 1 out of 31. In terms of popularity, The Horatians and the Curiatians: No. 1, The Deployment is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Horatians and the Curiatians: No. 1, The Deployment by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Metropolis: I. Auftakt: Maschinenhalle - Moloch | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 4 | 5A | 75 BPM | ||
Paganini: "Gern hab ich die Frau'n geküsst" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan): IX. Overture to Vyborg District | Lev Atovmyan, Dmitri Shostakovich, Svetlana Katchour, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Michail Jurowski | B♭ Minor | 3 | 3A | 127 BPM | ||
Paris Violon - PARIS | Michel Jean Legrand, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D Major | 2 | 10B | 131 BPM | ||
Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter | A Major | 0 | 11B | 64 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Steel: Stal': Tractor's arrival at the Kolkhoz | Alexander Mosolov, Berlin Radio Symphony Orchestra, Johannes Kalitzke | E Minor | 1 | 9A | 82 BPM |
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