"Metropolis: I. Auftakt: Maschinenhalle - Moloch" by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel was released on June 7, 2011. With this song being about 5 minutes long, at 5:19, "Metropolis: I. Auftakt: Maschinenhalle - Moloch" by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 6 out of 32. Metropolis: I. Auftakt: Maschinenhalle - Moloch is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: I. Auftakt: Maschinenhalle - Moloch by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Death and the Maiden: The Confession | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 2 | 10A | 74 BPM | ||
Winter and Moves | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | F♯ Minor | 3 | 11A | 50 BPM | ||
3 Film Scores: No. 3. Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 112 BPM | ||
The Planets, Op. 32: 3. Mercury, the Winged Messenger | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 108 BPM | ||
MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
From Shakespeare, Op. 76: I. Introduction. Andante moderato "Zas, mrtvé postavy, mne oblétáte…" | Josef Bohuslav Foerster, Janacek Philharmonic Orchestra, Marek Štilec | G Major | 0 | 9B | 113 BPM | ||
Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
Reunion | Burkhard Dallwitz | E♭ Major | 2 | 5B | 111 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | A Minor | 1 | 8A | 0 BPM |
Section: 0.7574276924133301
End: 0.7610673904418945