"The Planets, Op. 32: 3. Mercury, the Winged Messenger" by Gustav Holst, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Holst, Berliner Philharmoniker, Herbert von Karajan's "Holst: The Planets" album is number 3 out of 7. In terms of popularity, The Planets, Op. 32: 3. Mercury, the Winged Messenger is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 3. Mercury, the Winged Messenger by Gustav Holst, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Sigurd Jorsalfar, Three Orchestral Pieces Op.56: 3. Homage March (Op.22 No.4) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 177 BPM | ||
Une barque sur l'océan: Très souple de rythme | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 79 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Requiem In D Minor, K.626: 2. Kyrie | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Minor | 3 | 7A | 88 BPM | ||
This Cruel Moon (After Symphony for Band "Wine-Dark Sea") | John Mackey, Dallas Winds, Jerry Junkin | G Minor | 0 | 6A | 82 BPM | ||
Prelude in C Sharp Minor, Op.3, No.2 (Arr. Orchestra) - Live | Sergei Rachmaninoff, Czech Philharmonic Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 124 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro - Live | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 3 | 6B | 93 BPM |
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