Carnival of the Animals, R. 125: XIII. The Swan - Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard Information

Acousticness: 94%
Danceability: 14%
Energy: 3%
Instrumentalness: 71%
Liveness: 11%
Loudness: 63%
Speechiness: 4%
Valence: 7%
Popularity: 0%
Loudness: -22.214 dB

Summary

"Carnival of the Animals, R. 125: XIII. The Swan" by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on July 2, 1990. The duration of Carnival of the Animals, R. 125: XIII. The Swan is about 3 minutes long, at 3:06. Based on our data, "Carnival of the Animals, R. 125: XIII. The Swan" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf - Saint-Saëns: Carnival of the Animals". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. Carnival of the Animals, R. 125: XIII. The Swan is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carnival of the Animals, R. 125: XIII. The Swan BPM

With Carnival of the Animals, R. 125: XIII. The Swan by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carnival of the Animals, R. 125: XIII. The Swan Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile	Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl	D Major	1	10B	72 BPM
Nocturne-serenade, Op. 45	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	B♭ Major	0	6B	108 BPM
The Gadfly Suite, Op. 97a: VIII. Romance	Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar	D♭ Major	0	3B	139 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]	Franz Liszt, Oxana Yablonskaya	D Major	0	10B	66 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	B♭ Major	1	6B	115 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
La Gioconda / Act 3: Dance Of The Hours	Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso	E Major	0	12B	138 BPM
Carnival of the Animals: The Swan	Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason	G Major	1	9B	65 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM

ISRC: HKI199829613
Label: L-M Records/RCA Records

Section: 0.8167166709899902

End: 0.820702075958252