Miguel Fleta's 'Marina - Pascual Amigos Mios' came out on February 13, 2017. The duration of Marina - Pascual Amigos Mios is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Marina - Pascual Amigos Mios's duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 43 in Classics by Miguel Fleta, Vol. 2 by Miguel Fleta. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Marina - Pascual Amigos Mios is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Marina - Pascual Amigos Mios by Miguel Fleta is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: "E lucevan le stelle II" - Remastered | Giacomo Puccini, Miguel Fleta, Rosario Bourdon | B Minor | 2 | 10A | 134 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Tu sei turbato!...E n'ho ben d'onde" (Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Jah of Israel | Abonki | B♭ Major | 2 | 6B | 108 BPM | ||
Rosalinda - digitally remastered original | Tito Schipa | G Major | 1 | 9B | 0 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
El Barberillo de Lavapies: Entrada de Paloma | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego | A Major | 2 | 11B | 131 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Ay, ay, ay | Osman Pérez, Miguel Fleta | A Major | 3 | 11B | 111 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
Section: 0.6306047439575195
End: 0.63423752784729