"La Boheme, vierter Akt: Musetta !" by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli was released on April 29, 1961. With this song being about 5 minutes long, at 5:13, "La Boheme, vierter Akt: Musetta !" by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli's "Giacomo Puccini: La Boheme" album is number 21 out of 24. On top of that, Germany appears to be the country where this track was created. La Boheme, vierter Akt: Musetta ! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Boheme, vierter Akt: Musetta ! by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) | Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 1 | 8B | 83 BPM | ||
Roberto Devereux: Act I: Un lampo orribile (Elisabetta, Roberto) | Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota | B♭ Major | 1 | 6B | 92 BPM | ||
Francesca da Rimini, Op. 4: Perché volete voi ch'io rinnovi | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Capella Cracoviensis, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 1 | 7B | 169 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Vedrai, carino (Don Giovanni) | Hilde Gueden, London Symphony Orchestra | C Major | 1 | 8B | 77 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
L'assedio di Corinto / Giusto ciel: L'ora fatal s’apressa | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |
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