"La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2)" by Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid was released on January 1, 1994. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 7 out of 12. La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) by Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
También la gente del pueblo (Canción de Julián) | Tomás Bretón, Richard de la Vega, Jarvis Conservatory | F Major | 3 | 7B | 86 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Los Nardos | Unidad de Música de la Guardia Real | F Minor | 3 | 4A | 80 BPM | ||
Capote de Grana y Oro (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | D Minor | 3 | 7A | 106 BPM | ||
Recondita armonia - Tosca | Giuseppe Di Stefano | F Major | 2 | 7B | 168 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
Ay! Maricruz (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | E Minor | 2 | 9A | 110 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM |
Section: 0.6640739440917969
End: 0.6702480316162109