"Parlami d'amore, Mariu (orch. L. Logi)" by Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian was released on January 1, 2001. The duration of Parlami d'amore, Mariu (orch. L. Logi) is about 3 minutes long, at 3:15. Based on our data, "Parlami d'amore, Mariu (orch. L. Logi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dmitri Hvorostovsky, Constantine Orbelian's "Hvorostovsky, Dmitri: Baritone Arias - Curtis, E. / Tagliaferri, E. / Capua, E. / Cardillo, S. / Bixio, C. / Tosti, F. / Gambardella, S." album is number 5 out of 17. Parlami d'amore, Mariu (orch. L. Logi) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Parlami d'amore, Mariu (orch. L. Logi) by Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs and Dances of Death: No. 2, Serenade | Modest Mussorgsky, Dmitri Hvorostovsky, Mariinsky Orchestra, Valery Gergiev | B Major | 1 | 1B | 128 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
O surdato 'nnamurato (orch. G. Chiaramello) | Enrico Cannio, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | E♭ Major | 3 | 5B | 121 BPM | ||
Tito Manlio, RV 778: Orribile lo scempio (Arr. Papp) | Antonio Vivaldi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 138 BPM | ||
Vot Soldaty Idut (Soldiers are Coming) | Evgeny Stetsyuk, Kirill Molchanov, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | A Minor | 1 | 8A | 75 BPM | ||
Non ti scordar di me | Beniamino Gigli | A Major | 3 | 11B | 82 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
La Promessa | June Anderson, Raul Gimenez, Kathryn Bouleyn, Alessandro Corbelli, Nina Walker | A♭ Major | 0 | 4B | 120 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | ||
Maria, Mari (orch. G. Chiaramello) | Eduardo di Capua, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | C Major | 2 | 8B | 129 BPM |
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