Eduardo di Capua, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian's 'Maria, Mari (orch. G. Chiaramello)' came out on January 1, 2001. The duration of Maria, Mari (orch. G. Chiaramello) is about 3 minutes long, at 3:05. Based on our data, "Maria, Mari (orch. G. Chiaramello)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dmitri Hvorostovsky, Constantine Orbelian's "Hvorostovsky, Dmitri: Baritone Arias - Curtis, E. / Tagliaferri, E. / Capua, E. / Cardillo, S. / Bixio, C. / Tosti, F. / Gambardella, S." album is number 3 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Maria, Mari (orch. G. Chiaramello)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Maria, Mari (orch. G. Chiaramello) by Eduardo di Capua, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida, Act II: Marcha triunfal | Waldo De Los Ríos | E♭ Major | 5 | 5B | 88 BPM | ||
The Godfather: parla più piano | Alessandro Safina | C Minor | 3 | 5A | 138 BPM | ||
Radetzky March, Op. 228 | Johann Strauss I, Győr Philharmonic Orchestra, Janos Sandor | A Major | 5 | 11B | 112 BPM | ||
Rusalka, Op. 114, B. 203: Song To The Moon | Antonín Dvořák, Amira Willighagen, William Hayward | F♯ Major | 2 | 2B | 75 BPM | ||
Liebe Kleine Nachtigall | Moritz Moszkowski, Kaper Rotter, Erich Meyer-Helmund, Karl Kapeller, Robert Radecke, Giovanni Battista Martini, Adolf Neuendorff, Karl Böhm, Stanislao Gastaldon, Francesco Paolo Tosti, Eduardo di Capua, Ludolf Waldmann, Fritz Rotter, Constantin Bakaleinikoff, Melanie Jäger-Waldau, Richard Tauber | E Major | 0 | 12B | 75 BPM | ||
Volare | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | E Minor | 2 | 9A | 97 BPM | ||
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 183 BPM | ||
La vita è bella | Nicola Piovani, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 131 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM |
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