Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego made "El Barberillo de Lavapies: Entrada de Paloma" available on January 1, 1996. The duration of El Barberillo de Lavapies: Entrada de Paloma is about 3 minutes long, at 3:06. Based on our data, "El Barberillo de Lavapies: Entrada de Paloma" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #11 out of 17 tracks. Based on our statistics, El Barberillo de Lavapies: Entrada de Paloma's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since El Barberillo de Lavapies: Entrada de Paloma by Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With El Barberillo de Lavapies: Entrada de Paloma being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 3 Scene 3: "Amaro sol per te m'era il morire" (Cavaradossi, Tosca) | Giacomo Puccini, Giuseppe Di Stefano, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
La Madrileña, o Tutor burlado: Ouverture | Vicente Martín Y Soler, Maria Bayo, Les Talens Lyriques, Christophe Rousset | D Major | 2 | 10B | 183 BPM | ||
La Verbena de la Paloma, Act I: Habanera Concertante (Julián, Susana, Rita, Hilarión, Antonia, Casta, Guardias, Tabernero, Sereno, Chœur) | Tomás Bretón, Plácido Domingo, Maria Bayo, Raquel Pierotti, Rafael Castejon, Ana M. Amengual, Silvia Tro, Juan Jesùs Rodriguez, Alberto Rios, Alfonso Echeverria, Enrique Baquerizo, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 3 | 10B | 64 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 103 BPM | ||
Preludio. Orquesta - El Caserio | Carlos Munguia, Julio Uribe | A Major | 4 | 11B | 116 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis | Carl Orff, Riccardo Muti, Jonathan Summers, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
Relato de Rafael | Luis Antonio García Navarro | D Minor | 3 | 7A | 75 BPM | ||
El Barberillo de Lavapies, Act III: Instrumental (Paloma, Marquesita, Lamparilla,) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Lola Casariego, Maria Bayo, Manuel Lanza | A Major | 2 | 11B | 140 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Sung in French/Original Paris version for tenor (1774) / Act 1: Eurydice! ombre chère! | Christoph Willibald Gluck, Juan Diego Flórez, Orquesta Sinfónica de Madrid, Jesús López-Cobos | F Major | 2 | 7B | 83 BPM |
Section: 0.7103674411773682
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