Wolfgang Amadeus Mozart, William Shimell made "Mozart: Don Giovanni, K. 527, Act 2 Scene 4: Recitativo, "Non ci stanchiamo" (Masetto, Don Giovanni)" available on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 2 Scene 4: Recitativo, "Non ci stanchiamo" (Masetto, Don Giovanni) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 21 out of 214. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Don Giovanni, K. 527, Act 2 Scene 4: Recitativo, "Non ci stanchiamo" (Masetto, Don Giovanni) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 4: Recitativo, "Non ci stanchiamo" (Masetto, Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Brigitte Lindner/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A♭ Major | 1 | 4B | 74 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 1: Duettino - Cinque, Dieci... | Donato Di Stefano, Jozsef Mukk, Maria Pia Ionata, Natale de Carolis, Ingrid Kertesi, Roberto Frontali, Patrizia Pace, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 114 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Or vienmi ad adornar (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 3 | 7B | 110 BPM | ||
Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 2 | 8B | 105 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Die Fledermaus / Act 1: Dialog: Sag mal, also statt fünf musst du acht Tage | Johann Strauss II, Julia Varady, Hermann Prey, Lucia Popp, Bernd Weikl | D♭ Major | 1 | 3B | 139 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM | ||
La Traviata / Act 2: "Alfredo?" - "Per Parigi or or partiva" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Walter Gullino, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | C Major | 1 | 8B | 173 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM |
Section: 0.6799297332763672
End: 0.6848883628845215