- BPM
- 74
- Key
- A♭ Major
- Camelot
- 4B
Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) - Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Brigitte Lindner/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Information
- Acousticness
- 79%
- Danceability
- 58%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 53%
- Speechiness
- 54%
- Valence
- 46%
- Popularity
- 15%
- Loudness
- -28.486 dB
Summary
Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Brigitte Lindner/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra made "Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester)" available on 1981. With Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 24 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) BPM
We consider the tempo marking of Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) by Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Brigitte Lindner/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Die Zauberflöte, K.620, Act II: Da bin ich schon, mein Engel! (Papagena, Papageno, Zweiter Priester) Key
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Zauberflöte, K.620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Walter Berry, Emmy Loose, Wiener Philharmoniker, Karl Böhm | G Major | 1 | 9B | 79 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..." | Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | |
 | Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. Recitativo Susanna, Figaro "Or bene ascolta, e taci" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | F Major | 1 | 7B | 102 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | |
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Eh via, buffone, non mi seccar" - "Leporello!" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | |
 | Mozart: Così fan tutte, K. 588, Act I, Scene 15: "Ah che del sole il raggio" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina) | Wolfgang Amadeus Mozart, Walter Berry, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Hanny Steffek, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | E♭ Major | 1 | 5B | 83 BPM | |
 | Don Giovanni, K. 527: Venite pur avanti | Wolfgang Amadeus Mozart, Ruggero Raimondi, José van Dam, Edda Moser, Kiri Te Kanawa, Kenneth Riegel, Teresa Berganza, Malcolm King, Lorin Maazel | G Major | 2 | 9B | 72 BPM | |
 | Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 98 BPM | |
| Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. Recitativo Cherubino, Susanna, il Conte, Basilio "Ah, son perduto!" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside | F Major | 1 | 7B | 88 BPM | |
 | Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 1 | 5B | 172 BPM |
- ISRC
- GBAYC8100326
- Label
- L-M Records/RCA Records
Section: 1.098588228225708
End: 1.1044261455535889