"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..."" by Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin was released on January 1, 2012. With Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..." being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 5 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..." by Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Er sterbe! | Ludwig van Beethoven, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
La Cenerentola / Act 2: "Ma dunque io sono un ex" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 4: Recitativo - Tutto ancor non ho perso | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | A Major | 0 | 11B | 115 BPM | ||
Die Zauberflöte, K. 620, Act I: Dialog - Mutter, Mutter! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | G Minor | 1 | 6A | 88 BPM | ||
Die Zauberflöte, K.620 / Act 1: Ha, ha, ha! ... He, Sklaven! | Wolfgang Amadeus Mozart, Matthias Bernhold, Martin Olbertz, Tobias Beyer, Kurt Azesberger | F Minor | 1 | 4A | 74 BPM | ||
La Cenerentola / Act 2: Dunque non siam burlate? | Gioachino Rossini, Gloria Banditelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Il turco in Italia, Act I: Ed osate… (Critical Ed. Margaret Bent) - Edit | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Major | 2 | 10B | 131 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | ||
La Cenerentola / Act 1: "Sì, tutto cangerà" | Gioachino Rossini, Michele Pertusi, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La Clemenza di Tito: Atto primo, scena II. Recitativo Annio, Vitellia, Sesto "Amico, il passo affretta" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Bernarda Fink, Marie-Claude Chappuis, René Jacobs, Freiburger Barockorchester | A Minor | 1 | 8A | 103 BPM |
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