"Donizetti: Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra was released on January 1, 1995. With this song being about 5 minutes long, at 5:28, "Donizetti: Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 3 out of 44. Donizetti: Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Donizetti: Lucia di Lammermoor, Act 1 Scene 4: No. 2b, Stretta, "Quando, rapito in estasi" (Lucia) by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM |
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