"Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve)" by Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Vienna Academy Orchestra, Martin Haselböck was released on January 1, 2006. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Porpora: Gedeone (Il)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve) by Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Vienna Academy Orchestra, Martin Haselböck having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Lauda Jerusalem (arr. M. Banner for choir) | Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen | G Minor | 1 | 6A | 126 BPM | ||
Polifemo: Scena III Sinfonia | Nicola Porpora, George Petrou, Armonia Atenea | A♭ Minor | 1 | 1A | 133 BPM | ||
Platée, RCT 53, Acte II, Scène IV: Récitativ "Essayons du brillant" - Ariette "Aux langueurs d'Apollon" | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 111 BPM | ||
Philidor: Les Amazones: "Venez, troupe guerrière" - "Puisque tout est tranquille" - "Combattons, courrons à la gloire" (Thalestris, Hippolyte) | Andre Danican Philidor, Lea Desandre, Jupiter, Véronique Gens, Thomas Dunford | C Minor | 3 | 5A | 175 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 121 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Vendado amor es, no ciego ( Zarzuela): Tempestad grande | José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-Casado | E Minor | 5 | 9A | 145 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM |
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