On January 1, 2014, the song "Vendado amor es, no ciego ( Zarzuela): Tempestad grande" was released by José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-Casado. The duration of Vendado amor es, no ciego ( Zarzuela): Tempestad grande is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Vendado amor es, no ciego ( Zarzuela): Tempestad grande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 20 in El Maestro Farinelli by Concerto Köln, Pablo Heras-Casado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Vendado amor es, no ciego ( Zarzuela): Tempestad grande's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Vendado amor es, no ciego ( Zarzuela): Tempestad grande by José de Nebra, Bejun Mehta, Concerto Köln, Pablo Heras-Casado is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 0 | 11B | 128 BPM | ||
El Sombrero de tres picos, Parte I: La tarde | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | G Major | 1 | 9B | 138 BPM | ||
Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Les mariniers adorent un beau jour | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 118 BPM | ||
Orchestral Suite No. 4 in D Major, BWV 1069: II. Bourrée 1 - 2 | Johann Sebastian Bach, Concerto Köln, Sylvie Kraus | G Major | 3 | 9B | 125 BPM | ||
Canario | Lorenzo Allegri, Christina Pluhar | G Major | 3 | 9B | 137 BPM |
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