Lorenzo Allegri, Christina Pluhar made "Canario" available on March 22, 2010. The duration of Canario is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Canario's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Via Crucis by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #16 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Canario's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Canario by Lorenzo Allegri, Christina Pluhar has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Canario being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moulinié / Arr. Pluhar: Orilla del claro Tajo | Étienne Moulinié, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | F Minor | 3 | 4A | 144 BPM | ||
Altri amor fugga | Stefano Landi, L'Arpeggiata, Christina Pluhar | D Minor | 1 | 7A | 109 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi | Luigi Rossi, Christina Pluhar | G Major | 1 | 9B | 92 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | G Major | 1 | 9B | 133 BPM | ||
Lady Hunsdon's Puffe, P. 54 | John Dowland, Nigel North | B♭ Major | 2 | 6B | 78 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
A new division upon the ground bass of "John come and kiss me" | Clancy Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 80 BPM | ||
Rossi / Arr. Pluhar: "Se dolente e flebil cetra" | Luigi Rossi, Christina Pluhar, Véronique Gens | E Major | 0 | 12B | 108 BPM |
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