Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker's 'Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117' came out on January 5, 2009. Since Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 12 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Madrigals, Book 7: Tempro la cetra, SV 117 by Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantigas de portugueses | Christina Pluhar, Fernando Pessoa, Raúl Portela | D Minor | 4 | 7A | 150 BPM | ||
Silenzio d'amuri | Alfio Antico, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | E Minor | 0 | 9A | 118 BPM | ||
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
Ritter / Arr Pluhar: Orfeo Chamán, Act 3: "Cirene, madre" | Christian Ritter, Christina Pluhar, L'Arpeggiata | C Major | 3 | 8B | 126 BPM | ||
Folia | L'Arpeggiata, Christina Pluhar | C Major | 3 | 8B | 147 BPM | ||
Caresana / Arr. Pluhar: La Tarantella | Cristofaro Caresana, Christina Pluhar, Céline Scheen, Valer Sabadus, Luciana Mancini, Vincenzo Capezzuto, Zachary Wilder, Joao Fernandes | G Major | 3 | 9B | 118 BPM | ||
Invan lusinghi | Stefano Landi, L'Arpeggiata, Christina Pluhar | B♭ Major | 1 | 6B | 78 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto primo: Scena prima (Tempo) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Marco Beasley | G Major | 1 | 9B | 127 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM |
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