- BPM
- 138
- Key
- G Major
- Camelot
- 9B
El Sombrero de tres picos, Parte I: La tarde - Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado Information
- Acousticness
- 92%
- Danceability
- 36%
- Energy
- 8%
- Instrumentalness
- 78%
- Liveness
- 50%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 13%
- Loudness
- -20.261 dB
Summary
"El Sombrero de tres picos, Parte I: La tarde" by Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado was released on September 20, 2019. El Sombrero de tres picos, Parte I: La tarde is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 2 out of 17 in Falla: El sombrero de tres picos by Manuel de Falla, Pablo Heras-Casado, Mahler Chamber Orchestra. Based on our statistics, El Sombrero de tres picos, Parte I: La tarde's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
El Sombrero de tres picos, Parte I: La tarde BPM
The tempo marking of El Sombrero de tres picos, Parte I: La tarde by Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
El Sombrero de tres picos, Parte I: La tarde Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Capriccio Espagnol, Op.34: 1. Alborada | Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta | A Major | 4 | 11B | 125 BPM | |
 | Alborada del gracioso, M. 43 - Orchestral Version | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | |
 | Cortejo De Gnomos | Benita Meshulam, Peter Arts, Manuel de Falla | D Major | 1 | 10B | 130 BPM | |
 | Intermezzo, Op.72, TrV 246: Symphonic Interlude: Träumerei am Kamin | Richard Strauss, Wiener Philharmoniker, André Previn | A♭ Major | 2 | 4B | 84 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | |
 | Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | |
 | Sarasate : Caprice basque Op.24 | Pablo de Sarasate, Maxim Vengerov | A Minor | 1 | 8A | 84 BPM | |
 | El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7155263423919678
End: 0.7202305793762207