"Lauda Jerusalem (arr. M. Banner for choir)" by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen was released on July 30, 2013. With this song being about 5 minutes long, at 5:00, "Lauda Jerusalem (arr. M. Banner for choir)" by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 2013 Texas Music Educators Association (TMEA): All-State Women's Choir & All-State Men's Choir, so we believe that "Lauda Jerusalem (arr. M. Banner for choir)" is a single. Based on our statistics, Lauda Jerusalem (arr. M. Banner for choir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lauda Jerusalem (arr. M. Banner for choir) by Nicola Porpora, Martin Banner, Texas All-State Women's Choir, Robin Brockway-Nichols, Sharon Hansen is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Indes galantes, RCT 44, Prologue: Ouverture | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Salve Regina, S. 308: No. 3, Ad te suspiramus | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | D Major | 1 | 10B | 76 BPM | ||
Manna: Laudate pueri: V. Sicut erat in principio - Amen | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 3 | 12B | 73 BPM | ||
Rinaldo, HWV 7a: Ouverture | Christophe Rousset, Les Talens Lyriques | D♭ Minor | 1 | 12A | 126 BPM | ||
Germanico in Germania / Act 3: "Vieni superbo e mira la gran pompa terribile e funesta" | Nicola Porpora, Max Emanuel Cenčić, Mary-Ellen Nesi, Dilyara Idrisova, Hasnaa Bennani, Julia Lezhneva, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus | F♯ Major | 3 | 2B | 124 BPM | ||
Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Polifemo, Act II Scene V: Nell'attendere il mio bene | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | D♭ Major | 3 | 3B | 121 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM |
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