Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi's 'Polifemo, Act II Scene V: Nell'attendere il mio bene' came out on September 29, 2014. Polifemo, Act II Scene V: Nell'attendere il mio bene is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Nicola Porpora, Franco Fagioli, Alessandro De Marchi, Academia Montis Regalis's "Il maestro : Porpora Arias" album is number 9 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Polifemo, Act II Scene V: Nell'attendere il mio bene's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Polifemo, Act II Scene V: Nell'attendere il mio bene by Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Ottone in villa, RV 729, Act II Scene VI: II. Leggi almeno, tiranna infedele | Antonio Vivaldi, Julia Lezhneva, Giovanni Antonini, Il Giardino Armonico | E Major | 0 | 12B | 84 BPM | ||
Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 4 | 10B | 138 BPM | ||
Salve Regina, S. 308: No. 5, Illos tuos | Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi | G Major | 1 | 9B | 135 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland | Johann Sebastian Bach, Andreas Scholl, Kammerorchester Basel, Julia Schröder | B Minor | 1 | 10A | 138 BPM | ||
Sartorio: L'Orfeo: Sinfonia | Antonio Sartorio, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 3 | 2B | 127 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM |
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