Antonio Sartorio, Philippe Jaroussky, Diego Fasolis, I Barocchisti made "Sartorio: L'Orfeo: Sinfonia" available on March 3, 2017. With Sartorio: L'Orfeo: Sinfonia being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philippe Jaroussky's "La storia di Orfeo" album is number 1 out of 25. Based on our statistics, Sartorio: L'Orfeo: Sinfonia's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sartorio: L'Orfeo: Sinfonia by Antonio Sartorio, Philippe Jaroussky, Diego Fasolis, I Barocchisti to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas: Overture | Henry Purcell, The English Concert, Trevor Pinnock | B Minor | 3 | 10A | 172 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Magnificat en mi bémol majeur, BWV 243a: "Deposuit potentes" | Johann Sebastian Bach, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | G Minor | 5 | 6A | 101 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Sonata No. 2 in D Minor: II. Ciaconna. Allegro | Johann Friedrich Meister, Musica Antiqua Köln | D♭ Minor | 2 | 12A | 131 BPM | ||
Handel: Siroe, re di Persia, HWV 24, Act 3: "Deggio morire, o stelle" (Siroe) | George Frideric Handel, Philippe Jaroussky | B Minor | 1 | 10A | 133 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Bach, JC: Carattaco, T. 221: "Fra l'orrore di tanto spavento" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 136 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM |
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