"Morgenstimmung - Peer Gynt Suite (Morning Mood - Peer Gynt Suite)" by Edvard Grieg, Arthur Grüber was released on March 29, 2019. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Morgenstimmung - Peer Gynt Suite (Morning Mood - Peer Gynt Suite) and no other songs are present in the album, we classify this track as a single. Morgenstimmung - Peer Gynt Suite (Morning Mood - Peer Gynt Suite) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morgenstimmung - Peer Gynt Suite (Morning Mood - Peer Gynt Suite) by Edvard Grieg, Arthur Grüber to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Yellow Mountains | Jacob de Haan, Koninklijk HarmonieOrkest Schelle | A♭ Major | 1 | 4B | 75 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Te Deum: Prélude | Marc-Antoine Charpentier, Orchestre Paul Kuentz | A♭ Major | 0 | 4B | 169 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Galop infernal | Jacques Offenbach, Marco Sollini | D Major | 3 | 10B | 147 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM |
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